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Maine Antique Digest, March 2017 13-D

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AUCTION -

NPY

Salt-glazed Anna Pottery pig flask by Wallace and Cornwall

Kirkpatrick of Anna, Illinois, incised and cobalt highlights,

one side referring to St. Louis as “the Western New York,” the

remainder with a map of Illinois landmarks and cities, dated

1889, 7½" long, chips and losses, $8400.

Leeds pearlware platter with patriotic shield-breasted

eagle and blue feather edge, English, 19th century,

underside impressed “Wood,” 12¼" x 15¼", multiple

chips to edges, $923.

Instrument maker’s trade sign

in the form of a string bass, tin

body, wooden neck, the pegbox

functional, American, 19th

century, 69" high, weathered

surface, dents to the body,

bridge and tail piece detached

but present, $3120.

Chalkware cat nodder in striped paint, American,

19th century, 4" x 7", paint loss, head and body

repainted, $1680.

Ohio dovetailed copper kettle with gooseneck spout and bail

handle, marked for Jacob Resor (1786-1845), Cincinnati, mid-19th

century, 12" high overall, $1440. Resor was from a prominent

Pennsylvania family of gunsmiths. He moved to Cincinnati in 1811

and began advertising as a coppersmith in 1816.

Copper pig weathervane, cast metal

ears and tail, American, early 20th

century, 15¼" (overall height) x 30",

losses to old gold-leaf surface, $10,800.

Full-length folk art portrait by Jacob Maentel (1778-

1863), the inscription identifying the subject as John

Christian and dating the watercolor to 1808, toning to

paper, not laid down, one wormhole near frame, $3600.

Wallpaper bandbox with

squirrels on a blue ground,

the lid depicting horses,

American, 19th century,

11½" x 16" x 12", overall

wear, some paper loss, loose

seams, tears, $1800.

Monumental (each 95½" x 50", plus frame) portraits

of Thomas Jefferson and Abraham Lincoln by

Rudolf Tschudi (Swiss-American, 1855-1923), oil

on canvas, each signed and dated 1916, each with

surface dirt and a hole in lower part of canvas,

$3120 for Jefferson, $2520 for Lincoln. According to

the catalog, the works were possibly executed for the

1916 election pitting incumbent president Woodrow

Wilson against Supreme Court Justice Charles

Evans Hughes.