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81

H

U.S. Mint Medals

closed wreath around an uninscribed center. U.S. MINT inscribed

at bottom.

This medal was awarded only in gold during the first period

(1882-88) of the Army Marksmanship medals and in gold and

silver during the second period (1889-?) In addition, Carlson

records the striking of 36 medals in copper. The reason for the

striking of this many copper specimens that were not awarded in

unknown. As this example is the only one in copper for which

we can find a record, we are inclined to believe that while 36

copper medals may indeed have been struck, not many of them

may have found their way outside of the Mint. In addition, a

white metal example is also known. (See our 37

th

Sale in 1984,

#1013.) $1000+)

353.

SECOND CLASS PRIZE CAVALRY COMPETITION.

MK-22. 41mm. Bronze. Unsigned. Choice About Uncirculated.

Obverse: SECOND CLASS PRIZE CAVALRY COMPETITION

around a classic pose of a kneeling rifleman to the right.

Carlson reports that gold medals were awarded through 1890, and

silver used after that. He reports three medals struck in copper.

We sold one of these medals in our 37

th

Sale in 1984

and, other than this example, have not seen another

since then! ($1000+)

354.

SECOND

CLASS

PRIZE

REVOLVER

MATCH

MARKSMANSHIP MEDAL.

MK-28. 38,2mm. Copper,

bronzed. Unsigned. Choice About Uncirculated. Obverse:

REVOLVER MATCH SECOND CLASS PRIZE around a

cavalryman on a horse aiming a pistol at an Indian wh0 is aiming

his bow and arrow at the cavalryman. Reverse: A closed wreath

around an uninscribed center.

66 of these medals were awarded in silver. Carlson records the

striking of but 3 of these in copper (not intended for award) This

is the only one of which we have a record. ($1000+)

Lot 353

355.

THIRD

CLASS

PRIZE

REVOLVER

MATCH

MARKSMANSHIP MEDAL.

MK-29. 38,2mm. Copper,

bronzed. Unsigned. About Uncirculated, but with a number of

tiny rim dents. Obverse: REVOLVER MATCH THIRD CLASS

PRIZE around a standing cavalryman aiming his pistol to the left.

He holds the reins of his horse with his left hand. Reverse: A

closed wreath around an uninscribed center.

This medal was awarded only in bronze, Carlson recording a total

of 132. This is one of only 3 unawarded specimens for which

Carlson had records. (I)

Lot 354

Lot 355

GALVANO PLAQUES FROM

THE ARCHIVES OF PRESIDENTIALART

MEDALS, INC.

O

ne of the distinct advantages of artists creating models of medals

oversize -- to be pantographically reduced to the size of a desired

die – is the model has an appealing and unique additional use. A

wall plaque can be made the exact size as the artist’s model.

Such a plaque is called a “galvano,” short for electrogalvanic cast. The

technology in the art field was developed in France in the 1880s and

brought to America, some say by Augustus St. Gaudens, more likely the

French-American sculptor Jules Edourd Roine.

Roine was a longtime partner of Henri Weil, one of the founders of

Medallic Art Company. It is this same firm, sixty years later, which made

these galvanos with a degree of experience unequalled by any other firm

in America.

The artist creates the bas-relief image in clay or wax, he casts this in

plaster. This model is replicated in metal, most always in copper, with

amazingly definition. All the detail in the model is reproduced in the

metal pattern with 99.9 percent of the artist’s original bas-relief image.

From this pattern a negative copper shell is made to be reduced on a die-

engraving pantograph for dies to strike medals.

From that same pattern

a positive shell is made as an exact copy of the artist’s model

.

The positive cast is exactly like the intended medal but in larger size. As

copper it is formed in galvanic tanks emerging the color of bright copper

red. Often it is given a light coating of lead on the back to strengthen

it. The galvano is then finished – given a

patina

often called a “French

finish” to highlight the relief and give its attractive brown color...

The collection of galvanos offered here includes a wide-ranging group of

historic American personalities. Each was commissioned by Presidential

Art Medals, Inc. for medals that were included in PAM’s popular medallic

series. Not one of these has been offered for sale in the five decades since