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36-E Maine Antique Digest, March 2017

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SHOW -

Wallace Hall Art, Design & Antiques Show, New York City

Three-Day Show in Third Year at Wallace Hall

by Julie Schlenger Adell

I

n its third year, the three-day Art, Design

& Antiques Show at Wallace Hall, held

January 20-22, continues to evolve as

a destination not only for those from the

Upper East Side of New York City but also

for visitors who come to the Big Apple each

January for Americana Week.

This weekend, however, was overshadowed by the presidential inauguration and the

ensuing women’s marches in the city and around the country. The gate was acceptable,

but sales were scattered throughout the booths of the 33 dealers.

The weather was balmy and rainy, unlike last year when a snowstorm pummeled the

city and vehicles were banned from the streets. A shuttle, arranged by show managers

Vandy and Brad Reh, drove back and forth to the Winter Antiques Show 20 blocks

south on Park Avenue,which made it seamless for folks to attend both shows.

Held in the below-ground space of the Church of St. Ignatius Loyola at 84th Street and

Park Avenue, this year’s show appeared brighter and was well edited in terms of types

of dealers. The Rehs, who are also jewelry dealers from New Canaan, Connecticut,

decided not to have their own booth this year. Instead they focused their efforts on

managing the event. It showed.

As has been the case for the last several years, some dealers had a good show,

covering their costs and then some, while others did poorly. Commenting on the state

of the antiques show market, Wiscasset, Maine, dealer Matthew Robinson surmised,

“Doing the same thing over and over for forty years in the same way is hurting many

dealers. The younger dealers get ‘the mix,’” he said, noting that “antiques show” is

viewed in a negative way by many people, denoting old and stuffy and, for some, too

precious. Robinson and his wife, Helen, own two antiques shops in Wiscasset and have

been in business for 35 years.

So who was there? Glen Leroux of Westport, Connecticut, brought mid-century

furniture and sold a pair of Milo Baughman chairs and a pair of Baughman burled

olivewood night tables. J. Gallagher of North Norwich, New York, had “a good show,”

selling a full range, including furniture and fireplace accessories. Barbara Rew of

Lewes, Delaware, was a newcomer to the show and sold two pieces of furniture and

two hooked rugs. The Bassins of A Bird in Hand Antiques, Florham Park, New Jersey,

sold over 20 items, including a Crowell bufflehead miniature, a tiger maple table, a

preening black duck decoy, a chimney topper, and more. AndAndrew Spindler of Essex,

Massachusetts, sold consistently throughout the weekend, selling all the silhouettes in

his booth, as well as a silver gilt folding screen by painter Max Kuehne from the 1930s,

a carved wood dog sculpture, a console table, and smalls.

“This show is riding on the momentum of Americana Week. It has the right people,

there’s balance and quality, and it was well promoted. The layout is easy on the eye, and

there’s a group of dealers who play really well together. And the Rehs are hospitable

hosts,” Spindler commented on the last day of the event.

Late Sunday afternoon saw returning customers looking to snag final show hour

“bargains,” and dealers could be seen wrapping purchases at the same time they were

packing up their booths. A crew of porters was standing outside waiting to load the vans

lined up in front of the church as a fine mist sprinkled the sidewalks of Park Avenue.

Brad Reh thanked all for coming and said he was already working on ideas for next

year.

The pictures and captions illustrate the show. Further information can be found at

(www.Rehshows.com

).

“This show is riding

on the momentum of

Americana Week.”

Showgoers lined up before the 10 a.m. opening of the show on Friday.

Painting en Plein Air

by Robert Hogg Nisbet (1879-1961), oil on board, 12" x 16", was

priced at $7900 by Carole Pinto Fine Arts, New York City. Pinto is an art advisor and

teaches a class at Hunter College on art appreciation.

Barbara Rew of Lewes, Delaware, exhibited

at the show for the first time. She learned the

business from her mother, Gladys Spare. Rew

sold the Federal mid-Atlantic cherry chest,

circa 1820, seen here, as well as a George III

chest in quartersawn oak, 1780, to the same

buyer from Long Island. The chests were

tagged $1200 and $1400, respectively. The

southern Federal miniature chest, mahogany

with yellow pine secondary wood, was priced

at $750. The penny rug, felt with a geometric

design, approximately 48" x 30", from the

1930s or ’40s, was priced at $375. Rew also

sold some Baltimore silver, a watercolor, and

smalls on Sunday afternoon.

A Bird in Hand Antiques, Florham Park, New Jersey, sold

this eagle chimney cap, first quarter of the 20th century, to

a collector from Baltimore. It had an asking price of $2100.