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24-D Maine Antique Digest, April 2017

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SHOW -

24-D

Michael Boroniec of Lanesboro,

Massachusetts, asked $4200 for the white

earthenware

Bouquet

and $4200 for the

bronze earthenware

Bouquet

. The spiral was

priced at $3600.

Alan Kaplan of Leo Kaplan Ltd., New

York City, said a museum purchased

this rare brown sgraffito salt-glazed

mug with the name John Shaw and

the date 1742. He said the earliest

brown salt-glazed pottery

is from 1732, and ten years

later it was patented by

Ralph Shaw. The mug may

have been made for a Shaw

relative.

Alan Kaplan of Leo Kaplan Ltd., New York

City, sold this scratch blue salt-glazed mug,

dated 1753, and lots of other mid-18th-century

ceramics.

This monumental (48½" high) English

Aesthetic Movement Doulton Lambeth

faience floor vase painted by Florence

Lewis, circa 1885, with impressed marks

and painted monogram and shape number

on the underside, with some restoration, was

$50,000 from Jill Fenichell of The Bespoke

Porcelain Company, Brooklyn, New York.

It was once in the Harriman Judd collection.

“I finally figured out how to show things

out of a showcase, and I had my best

show yet,” Fenichell said. “Every dealer

plays a different role, and we all end up

complementing each other,” she observed,

thus explaining why this small show has a

big place during Americana Week in New

York every January.

The 16" high Royal Worcester Japanesque

vase with a matte ivory ground has an

applied full-bodied dragon and printed

marks in puce and is dated 1895. In very

good condition, with one minute chip to a

leg joint, it was $9200 from Jill Fenichell.

Martine Boston Antiques, Limerick, Ireland, asked $28,000

for this Minton majolica centerpiece or champagne cooler

designed in the 1870s by Albert-Ernest Carrier-Belleuse.

His work was shown at the Universal Exhibition in Vienna

in 1873 and at the U.S. International Centennial Exhibition

in Philadelphia in 1876.

Christopher Dresser designed this 14½" diameter majolica

centerpiece for Wedgwood, circa 1870, and the price was

$15,000 from Martine Boston Antiques. Martine Boston

Antiques photo.

Antoinette’s, Clifford Chambers, Warwickshire, England,

asked £900 ($1115) for this limited-edition Greek-inspired

Wedgwood ceramic vessel.

Katherine Houston of Boston,

Massachusetts, asked $20,000

for this amber porcelain

mantelpiece.

Robert P. Walker of Polka Dot Antiques LLC, Waccabuc,

New York, asked $12,500 for this 6¼" high Royal Worcester

Parian Aesthetic Movement teapot and cover, 1882, designed

by R.W. Binns and modeled by James Hadley. One side

depicts a flamboyant young man wearing a sunflower, while

the other side depicts a young woman wearing a lily. It has

a puce factory mark V (1884), gilt registration mark (21st

December 1881), and factory mark 1882 with the inscription

“Fearful Consequences -Through The Laws Of Natural

Selection And Evolution Of Living Up To One’s Teapot.”

In “greenery-yallery” colors, it relates to the Gilbert and

Sullivan comic opera

Patience

and was intended to satirize

the idea that if you surround yourself with beautiful objects,

you become beautiful yourself.