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10-C Maine Antique Digest, March 2017

-

AUCTION -

10-C

Cowan’s Auctions, Cincinnati, Ohio

American History

by Don Johnson

Photos courtesy Cowan’s

I

tems related to earlyAmerican figures, theAmerican

West, and the Civil War all drew considerable

interest during the American history sale held by

Cowan’s Auctions in Cincinnati, Ohio, on November

18, 2016.

The top lot at $36,000 (includes buyer’s premium)

was a sixth-plate tintype of a young William Frederick

“Buffalo Bill” Cody, posed with guns and game. The

image was likely taken at Fort McPherson, Nebraska,

circa 1871, a dozen years before Cody founded Buffalo

Bill’s Wild West. In the image he holds a rifle while

standing behind an elk skull perched on a chair with a

second rifle and four revolvers on the antlers, all behind

the bodies of three mule deer.

Most images of Cody are from later in his life and

tend to be printed in paper formats, such as cabinet

cards. The tintype of Cody showed a much younger

man, roughly 25 years old.

“I believe it’s a one of a kind, and it could be one

of the earliest images of him,” said Katie Horstman,

Cowan’s director of American history.

Other Buffalo Bill material also brought spirited

bidding, including a key to the city of Manchester,

England that was presented to Cody in 1887. In its

original velvet-lined case, the ornate metal key sold for

$7800.

The trip to England was the first of many overseas

ventures by Buffalo Bill’s Wild West. Setting up in

London, the show served as the unofficial American

delegation to Queen Victoria’s Golden Jubilee that

summer. Cowan’s catalog noted, “The queen attended

two shows, and the American press reported that she

stood and bowed when Cody rode up to the royal box

and presented the American flag—supposedly the

first time a British monarch so honored the Stars and

Stripes.” Cody and his crew remained in England until

May 1888, performing in London, Birmingham, and

Manchester.

The best of the Buffalo Bill posters was a 28" x 41"

example that showed an aging Cody holding the reins

and tipping his hat from a coach pulled by two horses.

The work was lettered “Buffalo Bill ‘Still Holds the

Reins’ / Personally Directs Every Performance and

Gives Daily Receptions.” Having repaired tears and

restoration, the poster sold for $3900. The print remains

popular, as contemporary copies are readily available.

Other posters did even better. One of “Dr. W.F.

Carver, Champion Rifle Shot of the World” pictures

the showman in a prairie setting, mountains in the

background, leaning against his rifle and wearing a

jacket with multiple sharpshooting medals. It was

offered with an 1878 broadside and an 1879 magazine

article, and the lot sold for $10,200. However, the 29¼"

x 22¼" poster, believed to be the only example known,

was the driving force behind the bidding.

Born in Illinois in 1851, William Frank “Doc” Carver

was a dentist when he moved to Nebraska in 1872. He

abandoned his medical practice and began touring the

country in 1876, giving shooting exhibitions and billing

himself as “Champion Rifle Shot of the World.” In

1883 he and Cody launched the Rocky Mountain and

Prairie Exhibition, which lasted just one season. Cody

then formed his Wild West show, while Carver created

a number of rival enterprises, most notably a diving

horse attraction.

Aside from posters, ephemera included a target card

picturing Annie Oakley, a revolver raised in her left

hand. Near the center of the card was a red heart that had

been pierced by a bullet. A vertical cut running from the

bottom of the card toward the center was perhaps the

result of Oakley’s having shot the card edge-on. The

piece sold for $2040.

The Wild West portion of the auction wasn’t just

about high-dollar objects. Items ranged from a signed

photograph of Frank Butler, Oakley’s husband, which

“The folk art Civil War pipes—

each is a work of art on its own.

The people who collect this area

related to the Civil War, those guys

really appreciate them.”

This albumen photograph of Abraham Lincoln by Anthony

Berger is imprinted on the mount “Brady & Co.” because

the negative was made in Brady’s Washington studio.

The sitting occurred February 9, 1864. The 8" x 6" (plus

mount) image has even toning to albumen, a short crease

presumably made before mounting, light spotting to the

mount, and adhesive on the back and sold for $4800.

A sixth-plate tintype of a young Buffalo

Bill Cody posed with guns and game, this is

believed to have been taken at Fort McPher-

son, Nebraska, circa 1871. In very good

condition, it sold for $36,000.

Military commission signed by John Hancock as president

of the Continental Congress, Philadelphia, July 8, 1776,

appointing Clement Biddle to an office in the Continental

Army, $18,000.

Samuel Adams signed letter written to

political compatriot Elbridge Gerry,

Boston, December 15, 1777, very good

condition overall, $28,800.

Gardner’s Photographic Sketch Book of the War

, Philp

& Solomons, 1865-66, volume II, containing 50 albumen

photographs by Alexander Gardner and others, staining

and water damage to the pages, other condition problems,

$13,200.

Pictorial History of the War of the Rebellion

,

Miscellaneous

, volume 1, is a

large-format Civil War photo album containing 91 prints, made directly

from original negatives during the 1890s, assembled by Colonel Albert

Ordway, a pioneering photo historian of the Massachusetts Commandery,

Military Order of the Loyal Legion of the United States (MOLLUS). It is

number 36 of 120 albums assembled and owned by Brevet Brigadier Gen-

eral Albert Ordway and sold for $12,300.

The catalog noted: “MOLLUS albums today are rare to the market-

place with the majority residing in the U.S. Army’s Military History

Institute at Carlisle, PA, which took possession of the Massachusetts Com-

mandery collection in 1973.… The importance of Ordway and his associate

Major Arnold Rand’s collecting efforts, in an era when many negatives

and photos were discarded, cannot be over-estimated.”