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32-B Maine Antique Digest, December 2016

-

AUCTION -

32-B

Wainstein is very pleased with the

continued overall strength of both

the fine arts and the Asian markets.

The Potomack Company, Alexandria, Virginia

Bierstadt’s Washington

Monument Leads

Potomack Sale

by Walter C. Newman

Photos courtesy The Potomack Company

T

he Potomack Company held a big two-day antiques and fine arts catalog

auction on September 24 and 25 at the firm’s Alexandria, Virginia, gallery.

The sale consisted of more than 800 lots at the two-day live auction and

another 300 lots during a third online-only session on September 27. The sale

offered items from several consignors, but nearly half of the lots were from the

gallery and collection of a retiring international antiques dealer.

The high lot of the sale was an oil on canvas by German-born American artist

Albert Bierstadt (1830-1902). Bierstadt’s artwork is most frequently associated

with his large panoramic scenes of the American West. The painting offered at

the Potomack sale was also a panoramic westward view. This scene, however,

was Bierstadt’s rendering of the

Project for a Washington Monument, City of

Baltimore

.

The painting dates to about 1876, more than 45 years after the completion

of the monument. The story behind this after-the-fact conceptual view is not

known. The catalog does note that this painting will be included in the upcoming

catalogue raisonné of Bierstadt, authored by Melissa Webster Speidel. Perhaps

that project will fill in the blanks. The Bierstadt painting sold to a private collector

for $200,000 (est. $80,000/120,000) with buyer’s premium.

A run of French bronzes performed very well. Most were late 19th-century

examples cast after earlier models. An early 19th-century bust of Napoleon

brought $1062.50 (est. $500/700); a gilt bronze of Diogenes, after Claudius

Marioton, brought $1375 (est. $500/700); and a bronze sleeping deerhound,

after Paul Gayrard, made $531.25, within its estimate range. A figure of a knight

holding his sword in tribute brought $1000, as did a figure of an Egyptian water

carrier. Both carried estimates of $600/800.

The furniture category was dominated by pieces inspired by the style of

Napoleon and various French Louis styles. In addition to examples described

elsewhere in this report, a late 19th-century Louis XV-style cabinet with a marble

top and ormolu mounts brought $3750 (est. $2000/3000); a heavily carved six-

piece giltwood Louis XVI-style salon set, consisting of four chairs, a table, and a

small couch, sold for $2375 (est. $1500/2500); and a Louis XVI-style giltwood

vitrine table made $937.50 (est. $600/900).

Speaking after the sale, Elizabeth Wainstein, founder and president of The

Potomack Company, stated that she is very pleased with the continued overall

strength of both the fine arts and the Asian markets. In particular, there is a

noticeable rise in the strength of the Japanese market. Japanese buyers are showing

a great deal of interest in the repatriation of Japanese items, much as has been the

case with the Chinese market over the past several years.

For additional information, contact The Potomack Company at (703) 684-4550

or see the website

(www.potomackcompany.com

).

The first major monument to honor George Washington was begun in Baltimore in 1815. The

project was designed by American-born architect Robert Mills (1781-1855) and resulted in

a 178'8" high Doric column, large enough that visitors can climb an internal staircase to an

observation platform overlooking the city. The monument is topped with a statue ofWashington

carved by Enrico Causici. The oil on canvas shown here is by Albert Bierstadt (German/

American, 1830-1902) and illustrates a conceptual view of the project, with a grand enclosed

park surrounding the monument. Additional information on this lot is provided elsewhere in

this report. The painting was the high lot of the Potomack sale, selling to the phone for $200,000

(est. $80,000/120,000).

This oil on canvas depicts a desert scene of an Arab encampment with barren mountains in the

background. The artist is Samuel Colman (1932-1920). The painting measures 9½" x 16" and

is signed lower right. Colman is best known for his images of the Hudson River, but he traveled

widely and visited Europe and the Mediterranean. This painting sold to a telephone bidder for

$5000 (est. $5000/7000).

Jan Fijt (Flemish, 1611-1661) was a leading animalier of the 17th century. Many of his paintings

feature freshly killed game. This still life is one such scene. The large (68" x 95") oil on canvas

depicts a dog surveying a number of freshly killed animals, including a deer, several rabbits,

geese, and other game birds. The painting is signed lower right and was accompanied by written

communication from RKDimages, a Dutch art database, that suggests that this painting dates

circa 1635. The painting sold for $70,000 from a left bid (est. $70,000/90,000).

This oil on canvas

is by French artist

Andre Brasilier

(b. 1929). The 45"

x 31¾" canvas is

not dated, but it

is signed lower

right. On the

reverse is the title

Le

Soleil Rose

(

The Sun Rose

).

The Brasilier

painting sold

for $28,125 (est.

$25,000/35,000).