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8-A Maine Antique Digest, May 2015

Fragments

T

he Wadsworth Atheneum Museum of Art

in Hartford, Connecticut, has purchased the

circa 1876 Bingham family Civil War memorial

secretary from Woodbridge, Connecticut, folk

art dealer Allan Katz. No price was disclosed,

but the secretary was tagged $375,000 at the

2015 Winter Antiques Show in New York City.

The secretary was made by members of Con-

necticut’s 16th Volunteer Infantry and tells the

story of brothers John and Wells Bingham

of

East Haddam, Connecticut, who fought at An-

tietam in 1862. John lost his life during the bat-

tle, one of 43 soldiers from the 16th Infantry

killed in the first advance. Wells escaped the

battle uninjured.

Over a decade later, friends of Wells present-

ed the veteran with the secretary in memory of

his brother. A plaque on the secretary reads:

“Presented to Wells A. Bingham by his friends.

The secretary a remembrance of his brother

John F. Bingham who offered up his life at An-

tietam, Maryland Sept. 17, 1862. The encased

star a remnant of the colors carried that day by

the 16th Infantry. The memory plaque made

from a shard of his knife. July 4, 1876.”

The 8' tall piece is made of walnut, oak, and

maple, and ornamented with bone, horn, and

abalone. At the top, a Seth Thomas eight-day

painted clock with brass movement is mount-

ed on a plinth with the inscription “The Union

Preserved.” A carved eagle perches over the

clock dial and grasps in his beak a chain, which

falls in a garland with 16 balls (possibly a refer-

ence to Connecticut’s 16th Infantry) and links

to eight turned spire-like finials along the cor-

nice. The eight spires may represent John Bing-

ham’s eight brothers.

The Bingham secretary is a collage of cultur-

al references, including Revolutionary War-era

iconography and mottoes, Civil War flags and

military badges, miniature portraits based on

popular prints, and nostalgic keepsakes. The

secretary has a music box that plays “Yankee

Doodle Dandy” when the glass doors open, and

a handwritten note framed on the interior of

the case has the last four lines of Henry Clay’s

“The Little Major.”

We are thrilled to add this stunning piece to

the museum collection,” said Alyce Perry Eng-

lund, the Richard Koopman Associate Curator

of American Decorative Arts, in a statement.

“In addition to the exquisite craftsmanship of

the secretary, it tells a story so tragic and deep-

ly rooted in our country’s heritage, it is a trea-

sure to behold for art and history buffs alike.”

Katz said, “We are truly honored to have

been able to have brought to the public’s atten-

tion this remarkably educational and inspira-

tional tribute to a patriotic Connecticut family.

We can think of no more appropriate nor vener-

able institution than the Wadsworth Atheneum

to become the permanent home of the Bingham

family Civil War memorial secretary.”

The Bingham secretary will go on view in

the museum’s Avery Memorial building in

the summer. For more information, call (860)

278-2670 or check the website (http://the wadsworth.org).

Wadsworth Atheneum Museum of Art Acquires Bingham

Family Civil War Memorial Secretary

Photo courtesy

Wadsworth Atheneum

Museum of Art.

Round Lake

Antiques Festival

Gets New Promoter

T

he Round Lake Antiques

Festival in Round Lake,

New York, has a new promoter,

Michael Green of Fairground

Shows NY, who is best known

for promoting the Washington

County Antique Fair.

“I plan on doing some ag-

gressive advertising and lots of

person-to-person marketing. I

like to go around to other shows

and antiques shops and tell peo-

ple about the shows I promote,”

Green said. “I also like to get the

dealers spreading the word by

offering discounts for new deal-

er referrals.”

The 2015 festival will take

place on June 27 and 28. Dealers

wishing to get in on the festival

can visit the website (www.fair groundshows.com/roundlake)

for more information.

Raise the Speaker’s Roof

by Lita Solis-Cohen

T

he Speaker’s House

in Trappe, Montgomery

County, Pennsylvania, needs a roof. It is the

house where Frederick Muhlenberg lived when

he served as first Speaker of the U.S. House of

Representatives. He was also the first signer of the

Bill of Rights and president of the Pennsylvania

Constitutional Convention in 1787.

In 1781 Muhlenberg bought the stone house that

had been built in 1763 and 50 acres in the town of

Trappe, where he was born. At the time, 31-year-

old Muhlenberg was serving as Speaker of the

Pennsylvania Assembly. In 1782 he built a general

store attached to the east side of the house and ex-

panded the house on the west side.

When Montgomery County was formed in 1784,

Muhlenberg was appointed the first president judge,

register of wills, and recorder of deeds. There was

not yet a courthouse, so his house was used as a de

facto seat of government for several years. In 1787

Muhlenberg was president of the Pennsylvania

Constitutional Convention; in 1788 he was elected

representative to the first Congress; and in 1789 he

was elected as the first Speaker of the U.S. House

of Representatives. In that capacity, he was the first

signer of the Bill of Rights. When the U.S. capital

moved from New York to Philadelphia in 1790, he

sold the house to his sister and brother-in law, Mary

and Francis Swaine, and they took over the general

store and ran it during the 1790s.

Frederick Muhlenberg was elected to Congress

for two more terms, and the third Congress elected

him Speaker again. In 1796 Muhlenberg cast the

tie-breaking vote as chairman of the house com-

mittee to ratify the Jay Treaty, an effort to improve

postwar British-American tensions. Muhlenberg’s

vote ended his political career because the treaty

was unpopular with many Americans, so much so

that Muhlenberg was stabbed by his own brother-

in-law. He survived but was not nominated to the

next Congress.

In 1799 he was appointed receiver general of the

Pennsylvania Land Office and moved to Lancas-

ter, then the state capital, where he lived until his

death in 1801.

Threatened with demolition in 1999, the Speak-

er’s House and nearly two-acre property was saved

by a grassroots group that has been working for a

decade to restore it to its 18th-century appearance.

An annual archaeology field school for college

credit is run by Montgomery County Community

College on the site in May and June for anyone age

15 or older.

A fund-raising gala is held once a year honoring

an individual who embodies the leadership qual-

ities of Frederick Muhlenberg, who took his civ-

ic responsibilities seriously. This year’s recipient

is Leslie Anne Miller. A practicing Philadelphia

lawyer for 25 years, Miller, the first woman to be

elected president of the Pennsylvania Bar Associ-

ation, is a civic and cultural leader. She recently

wrote a book,

Start with a House, Finish with a

Collection

, to share her joy of collecting American

art and antiques.

The award will be presented at the third annual

Speaker’s House Raise the Roof gala on Sunday,

April 26, from 5 to 9 p.m. at The Barn on Bridge,

385 Bridge Street in Collegeville, Pennsylvania.

Tickets start at $150 a person for an evening of live

music, dancing, cocktails, hors d’oeuvres, a seated

dinner, and dessert. There will also be a silent auc-

tion of work by local craftsmen.

All proceeds from the event will directly support

the restoration of the historic Frederick Muhlen-

berg house. The fund-raising goal for the exteri-

or phase of the project is $250,000, which includes

the replacement of the current mansard roof—now

more than 140 years old and nearing the end of its

lifespan—with a pitched roof based on original ar-

chitectural evidence.

For more information or to order tickets, check

the website (www.speakershouse.org/raise-the- roof) or contact Lisa Minardi, executive director,

The Speaker’s House, P.O. Box 26686, Trappe, PA

19426, e-mail

<info@speakershouse.org

>, or call

(610) 489-2105.

The Speaker’s House is one of four historical

structures in the town of Trappe, which was found-

ed in 1717. The old Augustus Lutheran Church,

the parsonage, and the house of Frederick’s broth-

er, Henry Muhlenberg, a pastor and botanist, have

been restored.

The Speaker’s House as it looks today: the outline

of the general store added by Frederick Muhlenberg

in 1782 is visible on the gable wall. Photo courtesy

Gavin Ashworth.

Insurance for Conceptual Art

C

rystal & Company has partnered with AIG Private Client

Group to create a new insurance solution for collectors with

conceptual art collections, according to a press release.

Conceptual art, the company said, is focused more on the idea

being expressed, while the form and material are secondary. A cer-

tificate is provided by the artist to authenticate an item, and with-

out this, the piece may be considered worthless. If the certificate is

lost or damaged, the item may lose most of its value.

Historically, references to lost or damaged certificates of owner-

ship have not been spelled out in fine art insurance policies, which

can lead to uncertainty in the event of a claim. The endorsement

created by AIG insurers in collaboration with Crystal & Company

specifies where conceptual artwork is covered.

In 2012, a certificate that accompanied a 1985 wall drawing

(

Wall Drawing #448

) by Sol LeWitt (1928-2007) was lost, leading

to a lawsuit (see

M.A.D.

, July 2012, p. 10-A). The suit was filed

by an art collector and dealer in Puerto Rico. He had consigned the

artwork—that is, its certificate of authenticity (“This is to certify

that the Sol LeWitt wall drawing number 448 evidenced by this

certificate is authentic”) and a diagrammatic description of what it

would look like (the maquette)—to a Chicago art dealer on March

31, 2008. At some point between that date and January 2011, the

dealer lost the certificate and maquette. She informed the collector

in January 2012 that her insurance company refused to cover the

loss. The collector’s suit, charging failure to “Maintain and Pre-

serve Certificate” and negligence, followed. The case was settled

out of court.

“We constantly ask ourselves what trends in the art world might

impact our clients and what we can do to make sure their collec-

tions are protected,” said Jonathan Crystal, executive vice presi-

dent of Crystal & Company. “Since a piece of paper is often the

only document essentially giving value to a work of conceptual

art, we wanted to find a way to protect our clients’ investments

even if something happens to their certificate.”