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Maine Antique Digest, March 2015 31-CS

- AUCTION -

Large-format albumen print of

the Siamese twins Chang and Eng

Bunker (1811-1874), Philadelphia,

1860s-70s, 20¾" x 16¾" (image

size), $7500 (est. $2000/3000) to a

phone bidder. Another large-for-

mat albumen print (not shown)

from the same source, a 22" x 18"

(image size) depiction of the “Car-

olina Twins” Millie and Christine

McKoy (1851-1912), conjoined

African American sisters, sold for

the same price to the same buyer

(est. $2000/3000). The proceeds

benefited the Vineland (New Jer-

sey) Historical & Antiquarian

Society.

George Ohr (1857-1918), scrod-

dled, folded, and bisque-fired ves-

sel, 1898-1910, with incised script

signature “G E Ohr,” 4½" x 7½" x

3½", $1375 (est. $1000/1500).

Mrs. Moses B. Russell (1809-1854),

miniature portrait of a young child

in a white dress holding a rose,

watercolor on ivory in a gilt frame,

3½" x 2½" (sight size), $6875 (est.

$4000/6000)

Needlework sampler by Amanda Malvina

Morris (1809-1829), Newtown, Pennsyl-

vania, 1818, 10½" x 10¼" (sight size),

$2125 (est. $800/1200) to members of the

Newtown (Pennsylvania) Historical Soci-

ety who were bidding in the room for the

society. She stitched the words “Amanda

Malvina Morris’ / work, wrought in the

ninth / year of her age. 1818. / Bucks

County / Academy Newtown” and her

school building, carriages, trees, and ani-

mals below in polychrome silk on linen.

The daughter of a wealthy Newtown

attorney, Enos Morris, and his first wife,

Elizabeth, Amanda married John Lloyd in

1827 and had one son.

Tiffany leaded glass and bronze chan-

delier in amber to white tones with

Greek key bronze rim, circa 1920,

stamped “Tiffany Studios New York

5075,” 25" diameter, $32,500 (est.

$8000/$12,000) to a phone bidder. A

similar example sold for $32,500 at

Christie’s in December 2010.

Art Deco sterling silver centerpiece

bowl, Hayes & McFarland, Mount

Vernon, New York, early 20th cen-

tury, 7¾" high x 12" diameter, 62

troy ounces, $7500 (est. $2000/4000).

According to the catalog, “In 1903,

Hayes & McFarland merged with

Mauser Mfg. Company (New York)

and the Roger Williams Silver Com-

pany (Providence, Rhode Island) to

form the Mt. Vernon Company Sil-

versmiths, which was ultimately pur-

chased by Gorham in 1913.”

Set of 11 Rutherford B. Hayes (as president, 1877-81)

presidential pattern oyster plates, designed circa 1880

by Theodore Russell Davis (1840-1894) for Haviland &

Co., Limoges France, each with an eagle on the under-

side of the rim, $10,000 (est. $6000/8000). The design

was patented in 1880, and the plates were mass-pro-

duced to meet the public’s demand.

Federal carved mahogany sofa, attributed to Henry Connelly (1770-1826)

and Ephraim Haines (1755-1837), Philadelphia, circa 1815, 36¼" x 72½" x

28", $10,625 (est. $4000/6000) to a phone bidder. It is similar to a sofa in Wil-

liam Macpherson Hornor’s

Blue Book: Philadelphia Furniture

.

Tiffany patinated bronze and

leaded glass Daffodil table

lamp, circa 1910, the shade

with a metal tag impressed

“Tiffany Studios New York,”

the base stamped “Tiffany

Studios New York 365,”

21½" high x 15 7/8" diameter,

$21,250 (est. $15,000/25,000).

Tiffany patinated bronze and

leaded glass Tyler Scroll table

lamp, early 20th century, the shade

stamped “Tiffany Studios New

York 10056,” the base stamped

“Tiffany Studios New York 366,”

24½" high x 18¼" diameter,

$21,250 (est. $15,000/20,000).

U.S. International Centen-

nial Exhibition carved walnut

armchair, 1875-76, the finials

inset with exhibition medal-

lions, the backrest with printed

scenes under glass, the seat rail

stamped “Pat. Appld. for Nov

29, 1875,” 53½" x 28½" x 28",

$36,250 (est. $10,000/15,000) to

a collector in the room, under-

bid on the phone. It was made

for the Pennsylvania Pavilion at

the Philadelphia Centennial.

Five phone bidders competed for this

figured mahogany high chest with

fan carving and ball-and-claw feet,

Boston, Massachusetts, circa 1770,

84¼" tall x 40" wide x 22½" deep,

ex-Ginsburg and Levy. It sold for

$27,500 (est. $8000/12,000).

William Russell Birch (1755-1834),

View of Spring-

land

, the country estate of the artist on the Dela-

ware River, circa 1800, watercolor, ink, and pencil

on paper, 4" x 5 7/8", $28,750 (est. $3000/5000) to

a collector on the phone. It was illustrated on the

front cover of

William Birch: Picturing the Ameri-

can Scene

(2011) by Emily T. Cooperman and Lea

Carson Sherk and had been exhibited at the Athe-

naeum of Philadelphia.

The following lot (not shown), a 4" x 5 7/8" (sight

size) watercolor, ink, and pencil on paper view from

Springland by Birch, also previously exhibited at

the Athenaeum of Philadelphia, sold to an institu-

tion for $20,000 (est. $1000/2000).

Three phone bidders competed for

this 9½" x 16¾" x 12½" patinated

and gilt bronze “Mountain Rail-

way” jewelry box with the marks

of Pyetr Baskakov, Moscow, 1883-

1908, and retailed by Tiffany &

Co. (est. $2000/3000). Modeled as

a mountain with trains and tracks

running through, raised on a

molded gilt metal and wood base,

the bronze impressed with circular

double-eagle for Moscow, a circular

maker’s Cyrillic touchmark “np”

for Pyetr Baskakov, and “Tiffany

& Co.,” it was reportedly presented

in 1910 to the chairman of the New

York Central Railroad, and a note

accompanying the box said it was

cast in Austria for Tiffany. A phone

bidder took it at $12,500.

Five phone bidders competed for this pair of Classical

giltwood girandole looking glasses, circa 1810, 38" x 24",

each with a paper label for Henry Marks, Boro, England.

Previously advertised by Israel Sack, Inc. in

The

Magazine Antiques

, April 1957, it sold on the phone for

$31,250 (est. $10,000/20,000). The girandoles were part of

a large consignment from aWashington, D.C., gentleman.