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20-D Maine Antique Digest, March 2015

- AUCTION -

C

hanel and the Beatles’ Apple Bou-

tique scored high with buyers

at Augusta Auction Company’s

November 12, 2014, sale of vintage fash-

ion and textiles from the 1820s through

the late 20th century. Featured in the sale

was the first portion of the Allan Suddon/

Kathy Cleaver costume collection from

Toronto. Among the couture names repre-

sented from this collection were Chanel,

Christian Dior, Jean Patou, Cristóbal

Balenciaga, and Yves Saint Laurent for

Dior.

The psychedelic Apple Boutique in

London was the first venture of the Beat-

les under their Apple, Inc. imprint. The

Apple Boutique was in business for only

eight months, from December 7, 1967,

until July 30, 1968. In February 1968 a

young American woman visiting London

purchased seven outfits and brought them

back to the United States. These outfits,

mostly unworn, sold primarily to phone

bidders and the room from $450 (includes

buyer’s premium) to $3720.

Aside from lots derived from the var-

ious estates and institutional and private

collections, there was a huge amount of

contemporary Chanel clothes and acces-

sories from the estate of Karen Kendle

Marshe, who was footwear director for

Chanel U.S.A.

Charles James (1906-1978), a Brit-

ish-born American designer whose gowns

are on display among the hallowed halls

of the Metropolitan Museum of Art in

New York City, was represented by three

lots. One was a Charles James dress form

from the 1950s, which brought $1800

from an Internet bidder. Another was a

1962 fashion illustration, which went to a

phone bidder for $3600.

It was business as usual on November

12 at Landmark on the Park on Central

Park West as pertains to the vast array of

famous names whose clothing was offered

for bidding. The names included Eliza-

beth Arden, Pierre Balmain, Bill Blass,

Ceil Chapman, Victor Costa, Givenchy,

Madame Gres, Hanae Mori, Norman

Norell, Paquin (Paris), Yves Saint Lau-

rent, Scassi, and others. As usual, Leila

Dunbar performed admirably as auction-

eer throughout the sale with maybe a ten-

minute or so break to catch her breath and

eat a light lunch.

For more information, call (802) 376-

9988, or visit the Web site (www.augus ta-auction.com).

Augusta Auction Company, New York City

Chanel and the Beatles’ Psychedelic Apple

Boutique Score High

by Richard de Thuin

Photos courtesy Augusta Auction Company

A vast array of

famous names

whose clothing was

offered for bidding.

This light raspberry-pink

tightly pleated silk column

sleeveless gown by For-

tuny has 48 small, striped

tan Murano glass beads on

each side, with the inside

selvedge stamped “Made

in Italy Fabrique en Italie

Fortuny,” a silver stenciled

belt, and the original round

box. Bidding involved the

Internet and two phones

until the gown hammered

down to a phone bidder for

$8700 (est. $3000/5000).

This Chanel black silk chif-

fon

full-length

bias-cut

Chantilly lace gown from the

1930s has lace insertions in

the bow and ribbon patterns,

a low V back, shoulder cape-

let, and narrow chiffon and

lace streamers attached to

the sides by the hips. Lined

in black silk charmeuse with

a deep lace flounce, this gown

was labeled and in very good

condition, and despite a

phone holdup to get the ball

rolling on bidding, the gown

sold to the room at more than

three times the high estimate

for $11,400.

Early 20th-century appliqué tent hanging of heavy white cot-

ton, hand appliquéd in red, navy, light blue, and green, with

two center medallions, and an Arabic script in the outer edge.

In very good condition this tent hanging sold to the room

against an Internet bidder for $7800 (est. $500/700).

Despite a fair designation as to con-

dition, this Roberto Capucci “nine

dresses” (

Nove Gonne

) gown from

1956 sold to the phone above estimate

for $7800. It is black silk taffeta with a

scoop neck, the sheath with nine stiff-

ened and tiered over-skirts cut high

in front and descending to the floor

in the back. The shoulder straps were

damaged, fabric was worn along edges

of multiple skirts, and the crinoline

stiffening was bent. (Other examples

of this dress are in various museums.)

This gentleman’s dou-

ble-breasted

tailcoat,

an 1820-30s example of

black lightweight wool,

has a narrow, notched

collar, deep center back

vent, a 36" chest size,

and despite missing

two of 12 front buttons

and having repairs and

small holes, was listed

in very good condition.

Property of The Strong,

sold to benefit the muse-

um’s collection fund,

this tailcoat sold above

estimate to an Internet

bidder for $1140.

This large enve-

lope-style Koret alli-

gator handbag with

a large brass safety

pin handle and car-

amel leather lining,

is

gold-stamped

“Koret” and has a

leaping stag logo.

Dated from the mid-

20th century, it was

in excellent condition

and realized $1200

from the room.

Offered from the estate of Karen Kendle

Marshe was this circa 2000 pearl necklace

of uniform faux pearls and an off-set dia-

mante, pearl, and silver blossom. Marked

with a “CC” logo among the pearls and with

the original tags denoting a retail price of

$1330, the 20" long necklace in its original

box realized $2760 (est. $200/400).

This high-neck circa 1825 printed

cotton day dress was of a brown

twill with block-printed apricot,

blue, and green block florals. In

very good condition, the dress

went to a phone bidder for $2160.

A short dress of fuchsia, gold, and silver lamé bro-

cade, a white, gold and silver lamé brocade hem band,

rhinestone and gold bead trim, and a matching dou-

ble-breasted coat, both labeled “Printemps-Ete 1968,

Christian Dior Paris,” in excellent condition, intrigued

two phone bidders to push the price up to $4500 (est.

$500/800).

The deconstructed jacket by

Chanel from 2011 is of dead-

stock cotton, nylon, and blue

metallic yarns, scattered large

holes, crochet navy and white

trim. In unworn, pristine condi-

tion, it is labeled “Chanel Sam-

ple” and sold with a price tag

of $6965. (An identical jacket,

designed by Karl Lagerfeld

for Dior, was exhibited in the

Metropolitan Museum of Art’s

2013

Punk: Chaos to Couture

.)

From the estate of Karen Kendle

Marshe, the Chanel jacket

brought $1800 (est. $800/1200).