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Maine Antique Digest, April 2017 3-B

-

AUCTION -

3-B

A record for an almshouse

painting by Rasmussen.

Sotheby’s, New York City

Sale of the Katz Collection

by Lita Solis-Cohen

Photos courtesy Sotheby’s

W

hen Ralph Katz retired from his

medical practice in Buffalo, New

York, he and his wife, Susanne, moved

to a 1950s house in New Hampshire, where they

lived with their collection of American folk art

until they downsized and moved to a retirement

community and sent the collection to Sotheby’s,

where it was offered on January 21. Sotheby’s

installed more than 60 of their portraits along

with landscapes and seascapes, painted chests,

painted boxes, decoys, and whirligigs in a

stunning exhibition on the fourth floor, making

vernacular works from the 19th century seem

modern.

View of the Berks County Almshouse

, a large oil

on canvas, 32" x 40", signed “J Rasmussen” and

dated 1880, was the most admired folk painting

of the week. It is titled and has the names of the

directors below the image. It sold with buyer’s

premium for $516,500 (est. $80,000/120,000)

to Pennsylvania collector Steve Smith in

the salesroom, underbid in the salesroom by

Patrick Bell of Olde Hope Antiques, New Hope,

Pennsylvania. It is in very good condition.

The price is a record for an almshouse painting

by John Rasmussen and tops the $339,300 Kelly

Kinzle paid for one in October 2008 at Pook &

Pook. In 2013 at the sale of the Andy Williams

collection at Skinner, another Rasmussen

almshouse painting sold for $102,000. In the

1880 census Rasmussen is listed as an inmate

of the Berks County almshouse and a fresco

painter. He was one of the three almshouse

painters, including Louis Mader (1842-after

1899) and Charles Hofmann (c. 1820-1882). At

Pook & Pook in October 2013 a record $545,100

was paid for an almshouse painting by Hofmann.

Steve Smith was the underbidder. Almshouse

paintings have sold privately for more. They

are rare, and those painted on zinc are often in

poor condition, while those on canvas, like the

one sold here, fare better. Every folk art collector

wants one.

Afireboard painted with a stark still life of fruit

on a small table, from the Moses Martin house

in Salem, New York, was another favorite that

provoked bidding on the phones and online. It

sold online for $100,000 (est. $60,000/80,000).

The Katzes owned five landscapes by

James Hope (1818-1892). Two phone bidders

competed for the best one, a large (26¼" x 36¼")

view of

Clarendon Springs, Vermont

that sold to

a collector for $87,500 (est. $30,000/50,000).

According to the catalog, Hope painted at least

three views of Clarendon Springs, one of which

was commissioned by the owner of Clarendon

House, which is in the center of this view, and it

was hung in the lobby. It is now in the collection

of the Currier Museum of Art.

Orphaned as teenager, James Hope purportedly

walked from the family farm inMontreal, Quebec,

to Fairhaven, Vermont, to begin an apprenticeship

as a wagon maker, and later he enrolled in the

Castleton Seminary. He cultivated an interest in

painting, particularly during a short period while

he was recuperating from an injury. He often

painted multiple copies of the same view, and in

time his work became more academic. During

the summers of 1848, 1849, and 1850, Frederic

Church (1826-1900) painted in the Clarendon

Springs region. It was there that Hope befriended

Church. He described Church in a letter as

“famous through color power.” The catalog

points out that Hope’s style is more linear and

stylized than Church’s and suggests that the bold

red clouds in the Clarendon Springs painting may

be a nod to Church, whose depictions of sunset

skies often include vibrant reds and oranges. In

1853 Hope went to New York City to become a

more academic painter. His family remained in

Vermont, and he returned there in the summers.

Only three of the five Hope paintings in the

View of the Berks County Almshouse

by John Rasmussen (1828-1895), oil on canvas,

32" x 40", signed “J Rasmussen,” dated 1880, and titled below the image with a list

of the directors, sold for $516,500 (est. $80,000/120,000) to Pennsylvania collector

Steve Smith in the salesroom, underbid in the salesroom by Patrick Bell of Olde

Hope Antiques, New Hope, Pennsylvania. It is a record for an almshouse painting by

Rasmussen, topping the $339,300 that Kelly Kinzle paid at Pook & Pook in October

2008. In the 1880 census Rasmussen is listed as an inmate of the Berks County

Almshouse and a fresco painter. He was one of three almshouse painters, including

Louis Mader (1842-after 1899) and Charles Hofmann (c. 1820-1882). At Pook &

Pook in October 2013, a record $545,100 was paid for an almshouse painting by

Hofmann; Smith was the underbidder.

This carved

and polychrome

wooden figure of

Lady Liberty on a

base and holding a

metal flag is 17" high

to the top of the flag.

The late 19th- or early

20th-century figure

sold to Connecticut

dealer Roberto Freitas

for $16,250 (est.

$6000/8000), underbid

on the phone.

Carved and painted

wood bathing beauty

whirligig, early 20th

century, 15" high,

sold for $11,250 (est.

$3000/5000) to New

Jersey dealer Leon

Weiss of Gemini

Antiques.

This cast-iron trade figure in the form of woman riding

sidesaddle, with the cast trademark of Cincinnati Stove

Works and on the reverse marked “R CIN IRON FDY/

CIN. O-1903,” 39" long, sold for $5000 (est. $5000/

8000) in the salesroom to Buffalo, New York, dealer

Dana Tillou. Another sold at Noel

Barrett’s toy sale at Pook & Pook

on December 3, 2016, for

$6000 (est. $6000/8000).

Another was offered by

Jeffrey Tillou at the Winter Antiques

Show for more. Cincinnati Stove

Works advertised as early as the

1880s using a woman on horseback

as its logo.

This paint-decorated poplar slide-lid box,

Schoharie County, New York, circa 1830, with fruit

and floral decoration on a green ground with red trim,

6" x 12" x 8", sold on the phone for $4750 (est. $600/800).

This portrait of a young girl and boy, circa 1830, is

attributed to Royall Brewster Smith (1801-1855). The

47¾" x 34¾" oil on canvas has a Gerald Kornblau,

Samuel Herrup, and Stephen Score provenance. It

sold to a collector in the salesroom for $20,000 (est.

$15,000/20,000).