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Maine Antique Digest, April 2017 29-A

-

AUCTION -

29-A

Rerus Imperator”

(reminding the owner that time

is “commander of all things”) in a cherrywood

case by John Head, circa 1740. Most clock cases

by Head are walnut, a nicely workable wood.

This one in a more expensive cherry case sold

to advisor Luke Beckerdite in the salesroom for

$348,500 (est. $150,000/300,000). It was the

second item by John Head sold at Sotheby’s

during Americana Week, and it made a record

price for any piece by Head. The identification

history of John Head was not known when the

Smith or Parker collections were formed. (See the

March issue of

M.A.D.

, p. 32-E, for coverage of

the sale of the collection of George S. Parker II.)

The Smiths’ large (94½" long) double-

peak camelback sofa with its dramatic swept-

back arms is one of the finest of all surviving

Philadelphia sofas, and its Marlborough legs

are intact. It sold to a discerning collector in the

salesroom for $212,500 (est. $250,000/500,000).

A less dramatic, somewhat smaller matching sofa

with its central stretcher and blocking on its feet

replaced failed to sell.

Museums did some buying this January. At

the Smith sale Alexandra Kirtley, curator of

American furniture at the Philadelphia Museum

of Art, spent $137,500 (est. $100,000/200,000)

for a Queen Anne mahogany tray-top tea table

with scrolls flanking its carved knees and candle

slides, made in Boston circa 1755. Peggy Smith

had inherited it from her mother.

The big disappointment at the Smith salewas the

failure of

Penn’s Treatywith the Indians

byEdward

Hicks. Estimated at $800,000/1,200,000, it stirred

no interest, perhaps because of its condition. It

had been found rolled up and was extensively

restored before it sold at Christie’s in January

1993 for $671,000 (est. $500,000/700,000). It is

a good subject, an appealing composition, and

captioned on the canvas “PENN’S Treaty with

the INDIANS, made 1681 with / out an Oath, and

never broken. The foundation of / Religious and

Civil Liberty in the U.S. of America.” Hicks more

often titled his paintings on the frames.

Several marine paintings sold over or toward

high estimates. James Buttersworth’s

Racing

in New York Harbor (Fetching the Mark)

,

painted circa 1875, sold for $300,000 (est.

$250,000/350,000) to an absentee bidder. New

York City dealer W. Graham Arader, standing at

the back of the salesroom, paid $225,000 for

Battle

at the Palisades, New York

by Dominic Serres.

Arader said he had wanted it when Newbold Smith

bought it at Sotheby’s in London in 1995, when it

sold for £67,500. “It shows the exact spot of the

George Washington Bridge,” saidArader, who was

clearly pleased with his purchase. Serres painted

His Majesty’s ships

Phoenix

,

Roebuck

, and

Tartar

,

accompanied by three smaller vessels, forcing their

way through the cheval-de-frise on the Hudson

River between Forts Washington and Lee, New

York, on October 9, 1776.

The sale of 82 of the 89 lots brought a total

of $3,386,188 (92.1% sold by lot).The pictures

and captions tell more. For a priced catalog, see

(www.sothebys.com

) and look for auction results

or call the department at (212) 606-7130.

The Shoemaker-Pickering-Doughton family

Chippendale carved and mahogany games

table was possibly made in the shop of

Jonathan Shoemaker, and the carving is

attributed to Richard Butts of Philadelphia,

circa 1770. The 28" x 31½" x 15" table

retains a dark, rich historic surface and

appears to retain its original ornate cast

brass hardware. It sold in the salesroom

to Skip Chalfant of H.L. Chalfant, West

Chester, Pennsylvania, for $47,500 (est.

$40,000/60,000), underbid on the phone.

This circa 1750 Queen Anne

figured walnut spice chest-on-

frame, Chester County,

Pennsylvania, has an inscription

carved later on the top of the

lower case, “THIS BELONGED

/ AT.” The 32" x 19" x 12"

chest sold for $16,250 (est.

$6000/12,000) to Skip Chalfant

of H.L. Chalfant, West Chester,

Pennsylvania, who said he

thought he got a good buy,

perhaps because parts of three

of the feet are restored.

This pair of circa 1770 Chippendale

carved mahogany “six-shell” Philadelphia side

chairs, one marked II and the other III to both

the seat rail and the slip seat, height 40", sold to

dealer Skip Chalfant in the salesroom for $35,000

(est. $5000/10,000). Chalfant said he bought three

pairs of Philadelphia side chairs during the week,

for clients and for stock.

Dominic Serres, R.A. (1722-1793) was commissioned by a participant

of the Battle of the Palisades, New York, to paint this 25" x 47

7

/

8

" scene

of the 1776 battle. Serres did so in 1779. It shows His Majesty’s ships

Phoenix

,

Roebuck

, and

Tartar

, accompanied by three smaller vessels,

forcing their way through the cheval-de-frise on the Hudson River

between Forts Washington and Lee on October 9, 1776. The painting is

signed “D. Serres” and dated 1779 (lower left). It is also inscribed “His

Majesty’s Ships / 40 guns / the ‘Roebuck’ 40 guns /the Tartar 28... guns

/ passing Fort Washington / going up the Hudson River / to prevent the

Americans / throwing supplies into / the fort. Oct 1776 / Robert Barlow

/...one of officers / of Tartar /...R Barlow” on the frame. The painting

sold for $225,000 (est. $100,000/150,000) to New York City dealer W.

Graham Arader in the salesroom. Arader said he had missed the sale by

a day and regretted not buying it in 1995 when Newbold Smith bought

it at Sotheby’s in London for £67,500. According to the catalog, after it

was commissioned by Robert Barlow, it descended in his family until

acquired by Newbold Smith. Early during the Revolutionary War in

1776, General Howe ordered a small squadron of British warships,

under the command of Captain Hyde Parker, to occupy the Hudson

River. Despite heavy bombardment from Fort Washington on the right

and Fort Lee atop the New Jersey Palisades, Captain Parker and his

fleet passed through, and he was knighted for his heroic efforts in 1779.

This circa 1755 Boston Queen Anne mahogany

tray-top tea table bears a small paper label with

typed inscription

S.L63.14 / Mrs. du Pont,

broken at skirt one leg and leg square replaced

.”

The 27¼" x 29¾" x 20½" table sold for

$137,500 (est. $100/000/200,000) to Alexandra

Kirtley, curator of American furniture at the

Philadelphia Museum of Art and bidding for

the museum, underbid by dealer Skip Chalfant.

Kirtley said, “We have so little New England

furniture.” The table had been shown at the

Metropolitan Museum of Art in 1963 in James

Biddle’s exhibition

American Art from American

Collections

. The sale catalog calls this table the

most sophisticated form of Queen Anne tea table

in Boston from about 1740 to the Revolution.

It is one a small group of tea tables fitted with

candle slides. In 2006 at the sale of the Bernstein

collection, Sotheby’s sold a Boston tea table

of similar design but without candle slides for

$497,600 (est. $400,000/600,000). Frank Levy

of Bernard & S. Dean Levy, New York City,

sold another with candle slides at the Winter

Antiques Show; it was priced at $425,000.

This rare Chippendale carved mahogany

compass-seat easy chair, Philadelphia,

circa 1765, sold in the salesroom for

$106,250 (est. $88,000/120,000) to

Delaware dealer James Kilvington for

a client. The legs have a dark rich

surface; two knee returns were

replaced. The chair’s height is 45¾".

This circa 1770 Philadelphia Chippendale

mahogany double-peak camelback sofa,

40¾" x 94¼" x 35", sold for $212,500 (est.

$250,000/500,000) to collector Steve Smith

in the salesroom. A combined effort of a

cabinetmaker and upholsterer, the camelback

form is listed as “Soffas Marlborough Feet”

in the 1772 and 1786 Philadelphia price list,

with the additional refinement of “bases”

terminating the feet. The frame with “plain

feet & rails without Casters” would have

cost £4.10 in mahogany, with the upholstery

adding as much as £10 to £20 to the cost.

Equal in price to a desk/bookcase, sofas of this

type were extremely costly and not common

in Philadelphia, even among affluent families.

A similar sofa, not shown, 40" x 97¼" x

32½", with a Joe Kindig provenance and with

a replaced central stretcher and replaced

blocking on its feet and a less dramatic sweep

to the arms, failed to sell (est. $40,000/60,000).