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Maine Antique Digest, April 2017 31-E

-

AUCTION -

31-E

This silver salver by Joseph Richardson Sr. of Philadelphia,

circa 1760, has a shell-and-scroll rim above the shaped

and partly fluted border; the center is engraved with the

contemporary interlaced cipher “FRR,” and it is raised

on three pad feet and marked twice on the base “IR”

in

a rectangle. The 8" diameter salver sold on the phone

for $30,000 (est. $30,000/50,000). The initials are those

of Francis and Rebecca (Warner) Rawle, who married

in 1756. According to the catalog, in September 1760

Francis Rawle purchased 31 acres of land overlooking the

Schuylkill, on which the family’s home, Laurel Hill, was

built. It is unlikely that the construction of Laurel Hill was

completed at the time of Francis’s untimely death. On June

7, 1761, Francis accidentally shot and killed himself while

hunting. Laurel Hill is now in Fairmount Park. The salver

was once part of the Philip H. Hammerslough collection.

This silver bowl by Samuel Casey of South Kingston,

Rhode Island, circa 1760, is circular with a flaring

rim and raised on a molded spreading foot. Its base is

engraved with contemporary initials “A*M” and marked

“S:CASEY” in a rectangle. The 5¾" diameter bowl

sold for $23,750 (est. $12,000/18,000) to a collector in

the salesroom. At Sotheby Parke Bernet in June 1984 it

had sold for $15,400 (est. $10,000/ $15,000). According

to the catalog, Samuel Casey was born in Newport,

Rhode Island, in 1723 or 1724 and became a freeman

in Exeter, Rhode Island; he moved by 1750 to Little

Rest (now South Kingston), where he is described as a

silversmith and merchant. In September 1764 his house

and shop were destroyed by a fire, which spread from the

forge. Frequently in debt after this disaster, in 1770 he

was imprisoned for counterfeiting coins and sentenced to

death by hanging. A mob with blackened faces attacked

the jail and freed the prisoners. Casey went into hiding

but was eventually pardoned in September 1770 by the

appeal of his wife. Casey was the maker of the silver

mounts on the Nathaniel Appleton secretary-bookcase,

attributed to Job Townsend of Rhode Island, which

sold at Sotheby’s in New York on January 17, 1999, for

$8,252,500. According to the catalog, that is the only

known example of silver mounts on Colonial North

American furniture.

This 13¼" tall silver coffeepot by Joseph and

Nathaniel Richardson of Philadelphia, circa

1777, has a double-bellied pear form with fluted

and gadrooned borders, fluted and leaf-capped

spout, and gadrooned urn finial and is engraved

on one side with a contemporary foliate script

monogram “WSR.” It is marked twice on base “I

• NR” conjoined in a rectangle and sold for

$56,250 (est. $30,000/50,000) to dealer Deanne

Levison for a client, underbid by dealer Jonathan

Trace. It was made for William and Sarah

(Saunders) Redwood and descended in the family

of daughter Sarah Redwood, who married Miers

Fisher. It had sold at Sotheby’s in January 2000

for $107,000 (est. $50,000/70,000). According to

the catalog, William Redwood was the half-

brother of Abraham Redwood, who founded the

Redwood Library in Newport, Rhode Island.

William Redwood, born in Newport, worked

there and in Antigua before going to Philadelphia

in 1787 to work as a merchant; he died in 1815.

The Richardsons made two similar double-bellied

coffeepots for Philadelphia couples in 1781 and

1786. Another almost identical coffeepot sold

at Sotheby’s in January 2006 for $78,000 (est.

$60,000/80,000).

This 6¼" tall, 22 oz. 4 dwt. silver tankard

by John Hull and Robert Sanderson

of Boston, circa 1665, has a tapered

cylindrical form with a molded base band.

The flat domed cover with incised border

and shaped peak was added by J.

Herbert Gebelein, a 20th-century Boston

silversmith. The hinge is decorated with

wriggle work and a shaped mount; the

scroll handle is engraved with early initials

“B*L,” and the front is engraved with a

later inscription, “Hannah S. Perkins to

Elizabeth Child.” It is marked on the base

“RS”

and “IH” (Kane mark B). It sold for

$27,500 (est. $10,000/15,000). At Sotheby’s

on January 31, 1986, it had sold for

$13,750—bought by Seymour Schwartz,

who told his wife she would never be able

to afford a Hull and Sanderson tankard

with its original cover.

This 9½" long silver teapot by Jacob Hurd of Boston, circa

1740, is of apple form and finely engraved at the shoulder

with a band of interlaced strapwork with satyr masks and

shells at intervals; one side is engraved with a contemporary

cipher “CJM” within a baroque cartouche; it has a wood and

silver baluster finial and a partly fluted scroll spout with baluster

drop below. The base is engraved with contemporary block

initials “C/I*M” and marked underneath “IHURD” in shaped

punch and “HURD” in a rectangle. It sold on the phone for

$20,000 (est. $20,000/30,000). At Sotheby’s in June 1980, it

had sold for $13,200 (est. $10,000/15,000). The catalog states:

“According to Patricia Kane, this teapot was commissioned

by John and Mary Channing. Awealthy Newport merchant,

Channing was a founding member of the Redwood Library

and sat with his wife for portraits by Robert Feke about 1747

(Museum of Fine Arts, Boston). The same monogram appears on

a silver porringer by Hurd, illus. Hollis French,

Jacob Hurd and

his Sons, Silversmiths,

pl. XVI.”

This pair of circa 1733 silver beakers by Jacob Hurd of Boston

was made for the Congregational Church, South Byfield,

Massachusetts, at the bequest of Nathaniel Byfield. Each is

cylindrical with a flaring rim on a molded foot ring and engraved

on one side with a coat of arms surrounded by scrolling foliage.

Each is marked near the rim “IHurd” in a cartouche and is 4¾"

tall. The pair sold for $32,500 (est. $30,000/50,000) to dealer

Jonathan Trace of Portsmouth, New Hampshire. They had

sold at Christie’s in New York in June 1982 for $39,600 (est.

$12,000/18,000). According to the catalog, the arms are those of

Nathaniel Byfield, 1st Judge of the Court of Vice-Admiralty, who

was born in 1653 in Surrey, England and arrived in Boston in

1674. In 1675 he married Deborah, a daughter of Capt. Thomas

Clarke, and after her death he married in 1718 Sarah, a daughter

of Governor Leverett.

This is a silver two-prong dog-nose fork by John Noyes of Boston, circa

1710, with upturned terminal. The back of the handle terminal is engraved

with contemporary block initials “HA,” and it is marked on the back of the

handle “IN.”

Its overall length is 7

"

and it weighs 1 oz. 6 dwt. The initials

are probably those of Hanna (Arnold) Welles. It sold for $10,625 to dealer

Jonathan Trace of Portsmouth, New Hampshire.

According to the catalog, two identical forks also engraved “HA” are in

the collection of the Museum of Fine Arts, Boston. A fourth fork is in the

collection of the Sterling and Francine Clark Institute.