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Maine Antique Digest, May 2015 37-C

In the gallery of Crescent Worth Art & Antiques, Lake For-

est, Illinois, this Carl Rudolph Krafft (1884-1938) landscape

was signed with a thumbprint in the lower left corner; the

work had been exhibited by the painter at the Art Institute

of Chicago.

A welcome show floor feature was the corner bar and lounge

where showgoers could relax near the large windows, away from

the aisles crowded with Saturday visitors.

In the Philadelphia Print Shop display, Jonathan Cresswell pointed

out a pair of Currier and Ives prints,

The Arkansas Traveller

and

The Turn of the Tune

, in folk art frames for $1400.

Historical Americana, based near Atlanta, pre-

sented history as art. Steve Winters had owned

these Civil War-era chaps for some time; they

make an interesting framed exhibit for $4500.

Across the street from the Music City Center, the Bridgestone Arena

is home to the Nashville Predators NHL team and hosts the biggest

musical acts on tour—Jason Aldean, Maroon 5, Fleetwood Mac,

Kenny Chesney, Bob Seger, Stevie Wonder, Imagine Dragons, and

Lady Antebellum—something for everyone.

From Historical America, a rare Civil

War cavalry flag with 34 stars, 1861-63,

was $14,500; the mounted gauges below

were taken from World War II planes.

Some dealers’ room settings embraced

20th-century design. C.M. Leonard

Antiques, South Salem, New York, had

brought a pair of low-back armchairs, circa

1950, for $3600.

In the booth of McDonough Fine Art, Atlanta, Georgia, the large

Audubon

Summer or Wood Duck

on the right was $1250; the

smaller flamingo, 1840, at left, was $2400; and the McKenney &

Hall Seminole chief, 1838-45, was $4500.

Especially for the Nashville

show, Sheridan Loyd had

brought a sugar chest, Ken-

tucky or Tennessee, with star

inlay, possibly added later

around the turn of the 18th/19th

century, for $8795. The regional

form had come out of a private

collection in South Carolina.

- SHOW -

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