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Maine Antique Digest, April 2015 29-A

- AUCTION -

O

n January 31, after most of the Americana collec-

tors had left New York City, Leigh Keno sold the most

expensive lot of American furniture offered duringAmericana

Week. The previously unknown and unpublished Potter-Crouch-Jor-

dan family Philadelphia mahogany tea table that descended in the

family of the original owners for 250 years sold to a special client

on the phone with Keno for $1,895,000 (est. $500,000/2,000,000).

Keno called this sale a “boutique auction”—just 13 lots offered live

and on line through LiveAuctioneers from a small catalog that came

out the day before. It was held at his 127 East 69th Street townhouse.

The discovery of the tea table was serendipitous. A photograph

came over the transom to Keno last summer, and he got in his car

and went after it. He found a rococo Philadelphia tilt-top tea table in

untouched condition in the possession of a bearded fellow in Maine

and convinced him that he could get him the best price, but it would

take patience. Keno delivered.

The bearded fellow, pictured in the front of the sale catalog, came

to the sale with 30 of his relatives to see the table sell on the phone.

It was the only million-dollar lot sold during Americana Week 2015.

It became number 33 on the

M.A.D.

list of million-dollar

pieces of American furniture.

It was the first addition to

the list since January 2013,

when Sotheby’s sold Samuel

Talcott’s cherrywood desk and bookcase for $1,082,500 to Keno

and Christie’s sold a mahogany bureau table from the shop of John

Townsend, signed by his younger brother Jonathan, for $2,210,500.

Keno spent six months having the tea table documented. The story

unfolded slowly. Researcher Amy Coes of Philadelphia traced its

ownership to Edward Crouch (1764-1827) and his wife, Margaret

Potter (1775-1797), of Dauphin County, Pennsylvania. The couple

had inherited it from one of their sets of parents. Margaret was the

daughter of Major General James Potter (1729-1789), a Revolution-

ary war patriot and wealthy Pennsylvania landowner, and his sec-

ond wife, Mary Patterson (1739-1791). They married in 1765, but

Keno believes Potter already owned the table, having bought it in

1755, when he married his first wife, Elizabeth Cathcart, who died

in 1764. But it could have been made for Colonel James Crouch

(c. 1728-1794), another Pennsylvania landowner, and his wife, Han-

nah Brown (1727-1787), when they married in 1757 to furnish their

house, Walnut Hill, in Dauphin County.

The table, made in the 1750s, descended in the family in a remark-

able state of preservation. It was never refinished, waxed, or var-

nished, only dusted over the years. The luck of the untouched finish

seemed even more remarkable when Keno discovered the mate to

this table in storage at the Metropolitan Museum of Art; that one was

refinished. The carving on the legs and on the pedestal (including the

unusual twist at the top of the pedestal) is the same, and so are the

exceptionally large scallops on its oversize top.

Who made these tables? Who carved them? Keno was determined

to find out. Furniture historian Alan Miller has attributed the carv-

ing to an as-yet-unidentified carver, whom he’s nicknamed “Spike”

because of his spiky naturalistic carving. Spike had been identified

as the carver of the Gratz family dressing table at Winterthur, the

Lawrence-Palmer high chest at the Metropolitan Museum of Art, and

the Wistar-Sharples desk-and-bookcase at the Philadelphia Museum

of Art. According to Keno’s catalog, Spike’s use of C-scrolls ending

in leafage, with gouge cuts near the end of the leaf tips and veining,

makes his carving look spiky.

The table’s single-board mahogany top is larger than the top of

most Philadelphia tea tables. It measures 37 3/8" in diameter. Most

Philadelphia tea tables average 32" in diameter, and they rarely

exceed 34". Its deeply carved piecrust edge is shaped into eight

repeating 5" broad scallops alternating between 9" double-peaked

cyma curve passages. The table tilts and turns on its box, called a

“birdcage,” supported by turned balusters that echo the shape of the

baluster on its shaft. Its tripod base and the bottom half of the balus-

ter are carved with rococo scrolls, cabochons, and leafage, and the

spiral fluting above the gadrooned canopy above its vasiform shaft is

Keno Auctions, New York City

Fresh-to-Market Philadelphia Tea Table Sells for

$1,895,000

by Lita Solis-Cohen

Photos courtesy Keno Auctions

The 1755-57 Potter-Crouch-Jordan family Philadelphia

mahogany tea table, 29" high, top 37 3/8" inches in diam-

eter, sold for $1,895,000 (est. $500,000/2,000,000).

A member of the consignor’s

family is shown holding the base

of the table. This photograph

was used as the frontispiece of

the catalog.

The discovery of

the tea table was

serendipitous.