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Maine Antique Digest, April 2015 15-D

- AUCTION -

A

typically frosty wintry morn-

ing on January 1 didn’t stop a

huge crowd from filling Robert

Foster’s auction gallery in Newcastle,

Maine. For decades, Foster’s winter

auctions have been drawing mobs

of bidders. “Probably the biggest

crowd we’ve ever had here,” Foster

announced at the commencement of

the sale.

Bidders saw a lot of red, as in red-

painted country furniture and folk art.

A red and black grain-painted Sher-

aton server with nicely turned legs

and a three-sided splash around the

top sold for $385 (includes buyer’s

premium). Adark red and black grain-

painted Sheraton one-drawer drop-

leaf harvest table, 55½" long, brought

a respectable $550. And a simple

and straight-lined Connecticut Val-

ley Chippendale four-drawer chest in

old dry red finish with a widely over-

hung top, wooden knobs, and a cutout

bracket base topped the red paint lots.

It was the best piece of country fur-

niture in the sale, and it sold well for

$1980. Near the end of the sale came a

nifty red-painted and carved wall box,

with two rearing horses pawing an

eagle and shield. The lower half had

some faint gilding and an even fainter

signature reading “Nathan Dunellen”

or “Nathan Dunmiller.” I wasn’t able

to track down the name, but the little

folk art gem brought $137.50.

Some other interesting folk art

pieces drew solid attention without

pulling out-of-reach prices. Acontem-

porary folk art diorama sculpture by

Unto Jarvi (1908-1991) showed a cou-

ple in the altogether, happily enjoying

a sauna, complete with the traditional

birch boughs. Around 1919 Jarvi left

his birthplace of Saaksmaki, Finland

and immigrated to Michigan’s Upper

Peninsula. He began painting and

sculpting around 1959, creating fig-

ures he called “Jarvi’s Little People.”

After retiring to Auburn, Kentucky,

in 1971, he began to produce more

of these diorama-type sculptures, and

his works were included in a 1991

exhibition by the Owensboro (Ken-

tucky) Museum of Fine Art,

Ken-

tucky Spirit: The Naive Tradition

. The

diorama offered by Foster was signed

and dated 1976, and it fetched $385.

For more information, visit Foster’s

Web site

(www.fosterauctions.com

)

or call (207) 563-8110.

Robert L. Foster, Newcastle, Maine

Big Crowd Sees Red at Foster’s

by Mark Sisco

Bidders saw a lot

of red, as in red-

painted country

furniture.

Folk art diorama carving by Kentuckian Unto Jarvi (1908-1991) of

a couple enjoying a traditional sauna, $385.

A matched set of six

captain’s chairs (three

shown), each decorated

with a Masonic level and

square symbol on the

crest, hit $550. They were

sold by the L.F. Wehr-

mann Furniture Com-

pany of Cincinnati, Ohio,

and probably dated from

the late 19th century.

Red and black grain-painted Sheraton server, $385.

This framed watercolor, signed and dated lower

right “A. Thieme 1923” for Massachusetts painter

Anthony Thieme (1888-1954), appeared to give

homage to Maxfield Parrish. It has a seminude

young woman seated on the balustrade of an open-

roof courtyard and staring out to the azure horizon.

The selling price was a moderate $467.50, perhaps

because the subject was not in keeping with what

we usually expect from Thieme. It had no boats, no

crashing surf, and no scenic harbors.

Foster packs them in like nobody else. As always, the spacious Route

1 hall was filled to overflowing.

Stepback mahogany Sheraton chest with uniform

matching graining on the drawer fronts, full spi-

ral-turned columns, and hints of tiger graining on

the top edge, $990.

Connecticut Valley Chippendale four-

drawer chest in dry red paint, $1980.

A 6'5" x 4'6" Navajo rug showing

kachinas, sun symbols, and sev-

eral animal pictographs rang out

at a strong $1870. Foster photo.

A red-painted blanket chest on a cutout bracket

base, with a molded lid and tiny wooden clothespin

knobs, ended at a moderate $275.

This sterling silver pocket

chronometer

by

Sheffield

Goldsmiths Co. of England was

in a brass and mahogany case

holding an image of the Gold-

smith store. It sold for $1100.

A pair of patriotically painted

red, white, and blue sea chest

beckets on carved wooden

mounts ended at $330.

One of my “moles in the organization” suggested that this brass

gimbaled Sestrel compass might be a hot item. “Sestrel” was a

trademark for Henry Browne & Son of Barking and London,

England. The intelligence proved questionable when the compass

sold for a not-over-the-moon $247.50.