30-B Maine Antique Digest, March 2015
- AUCTION -
Mebane Antique Auction Gallery, Mebane, North Carolina
Picker of the Year at Mebane
by Pete Prunkl
Photos courtesy Mebane
I
n 2013, at his annual Americana
and Continental sale, auctioneer
Jon Lambert tried something new.
He provided registered bidders with
a catalog containing lot numbers,
descriptions, and condition reports.
In the years leading up to this change,
Lambert had distributed an itiner-
ary noting when large categories of
unnumbered lots would be sold. The
catalog was a vast improvement. For
his December 2014 sale, Lambert
tweaked the catalog again. Now there
are two distinct options: robust and
skinny.
The robust ver-
sion with complete
descriptions,
con-
signor information,
and lot numbers has
now moved on line,
and anyone with a
smartphone or iPad
could easily follow
the sale. Unfortu-
nately only six patrons out of 120
at the December 5, 2014, sale were
looking at their screens. The rest
had to rely on a free but skinny sin-
gle-spaced list of items by lot number.
Lambert made other alterations
in the conduct of his sales. New for
2014 were Internet bidding, a quieter
auction setting, and the elimination of
the requirement that absentee bidders
visit the Mebane, North Carolina, gal-
lery in person.
To his credit, Lambert has resisted
one other nod to auction modernity. In
an era when more and more lots are
encumbered with inflated consign-
or-imposed reserves, at Mebane there
are no reserves; nothing is passed.
For those with the catalog list,
Lambert filled the information gap
by describing many lots in detail
from the podium. The result was an
11-plus-hour sale for 550 lots. Long-
winded explanations and exorbitant
initial asking prices tried the patience
of some seasoned veterans who other-
wise love Lambert’s energetic, excit-
ing, and endlessly surprising sales.
Regulars who hung with him until
the ninth hour found the sale’s big-
gest surprise. Two weeks before the
sale, staff member Donald Whitfield
went on a very successful picking
expedition in the hamlets of western
Orange County, North Carolina. The
American Pickers must have missed
the house where a circa 1820 walnut
inlaid corner cupboard was gathering
dust. Brass hardware, locks, glass, and
dust all appeared to be original. Bid-
ding opened at $1000 with phone and
on-site bidders participating. Mebane
regular John Barr of Sanford, North
Carolina, bought the cupboard for
$4070 (includes buyer’s premium).
Jon Lambert could not resist telling
the story of the pick and introduced
Whitfield as “the Picker of the Year.”
Donald Whitfield found a sec-
ond treasure at the same residence:
a 93¼" high 12-pane walnut country
cupboard possibly from the Brower
school of Chatham County, North
Carolina. John Barr purchased that,
too, for $1045.
The sale’s top lot debuted an hour
earlier: a 2.09-carat diamond in an
18k gold and platinum setting. It sold
to a happy bidder in the second row
for $12,650. (The appraised value was
$32,000.)
Two other jewelry lots made the
sale’s top ten: a wedding set with
interlocking diamond engagement
and wedding rings, and a Cartier love
bracelet. Twelve round cut diamonds
in the wedding ring flanked the one-
carat center engagement diamond.
An absentee bidder claimed the set
for $3850. Cartier produced the love
bracelet in the 1970s as a flat band
studded with screws that locks to
the wrist. In its original red leather
case with the essential screwdriver,
the bracelet went to the Internet for
$3740.
Five fresh-to-the-market framed
prints by Currier & Ives of steam
locomotives stirred interest across all
bidding venues. Of the five,
Amer-
ican Express Train
was the oldest
(1864), largest (20½" x 29"), and the
most dramatic. At $5500, it was also
the priciest.
Prairie
Fires of the Great West
(1871, $1760),
The
Express Train
(1870,
$1100),
American
Railroad Scene: Snow-
bound
(1871, $1100)
and
The Great West
(1870, $880) trailed
behind.
A 7¾" high script-signed Loetz
vase also attracted a lot of attention. It
opened at $1800 with absentee, Inter-
net, and on-site bidders in the race.
Glass collector David Whitlock threw
in the towel at $3400. A phone bidder
prevailed at $7040.
One painting, an oil on canvas by
Václav Brozik (Czech, 1851-1901),
made it to the top ten. For on-site
bidder Nathan Sapp the chase for the
portrait of a young girl was start, stop,
start, and stop. When he hesitated, an
Internet bidder responded with light-
ning speed. The Internet took it at
$6710.
Not to be outdone, Sapp returned
later in the sale to purchase three
paintings signed “Helen Maas/ New
Orleans.” The subject matter and
style of the Maas paintings were rem-
iniscent of those of prolific southern
painter William Aiken Walker (1838-
1921). If the Helen Sophie Koehne
Maas (1873-1922) listed on AskArt is
“Helen Maas/ New Orleans,” she and
Walker were contemporaries. Sapp
may have bet on a connection when
he paid $2640 for a Maas painting
of an African-American man, $1485
for
Uncle Piastus, New Orleans
, and
$1595 for a southern landscape with
barn.
The sale’s best sterling silver was
a stunning example of Victorian ele-
gance. The service for 12 by Whiting
Manufacturing of New York in the
Louis XV pattern was housed in a fit-
ted bird’s-eye maple case with white
silk interior. A plaque on the lid was
marked “CAN/ June 26, 1895.” A
phone bidder captured it for $2750.
Two elegant machines rounded out
the sale’s top ten. A lighted and work-
ing circa 1915 Wurlitzer coin-oper-
ated nickelodeon in a tiger oak cabinet
with leaded stained-glass windows
would feel right at home in many
American man caves. It opened at
$2000, and after challenges from the
floor, it sold to the Internet for $3960.
A monumental European eight-day
time-and-strike bracket clock was
covered with carved leaves, feath-
ers, scrolls, rosettes, faces, roaring
lions, male and female figures, and
a dragon head. A matching shelf was
equally well carved. On the clock face
were three dials used to regulate the
chimes. It sold to an absentee bidder
for $2970.
For more information on Mebane
Antique Auction Gallery, visit the
Web site
(www.mebaneauction.com)
or call (919) 563-2424.
Regulars who
hung with him
until the ninth
hour found the
sale’s biggest
surprise.
There is a tear in this 18" x 12¾" oil on canvas
profile portrait of a young girl by Czech artist
Václav Brozik (1851-1901). The painting opened
at $500, a long way fromwhere it stopped—$6710.
This circa 1870 hair wreath in a 16" x 10"
walnut shadow box frame came from a
collection of 14 mourning wreaths, lock-
ets, and jewelry. Five mourning lots,
including this example, were purchased
by Betty Clark, a dealer from Smithfield,
Virginia. Clark paid $385 for the wreath,
which has a hummingbird in its design.
Another circa 1870 wreath (not shown)
was opened at $600 by an Internet bidder
but received no advances.
An Internet search of Weller
umbrella stands found only
one other example in Baldin
Apple. The 22½" x 11" stand
sold to an Internet bidder for
$319. Dealer Betty Clark was
an underbidder.
There was a fair amount of foxing to this Currier & Ives litho-
graph titled
American Express Train.
The 20½" x 29" print was
dated 1864 and sold to an absentee bidder for $5500.
The Edgar Allen Poe (1858-
1934) who made this jug was
not the “Nevermore” Poe. This
gentleman hailed from Fayette-
ville, North Carolina, and Rob
Pearce from Natural Connec-
tions Antiques, Knoxville, Ten-
nessee, bought the 11¾" high
salt-glazed jug for $825.
Kids who watch Nickelodeon, the cable television net-
work, may never have seen the real deal. Lambert
plugged in this 53" x 36" x 18¼" Wurlitzer nickel-
odeon and played it during its time on the auction block.
Powered by a Westinghouse motor and marked “The
Rudolph Wurlitzer Co., Cincinnati, O No. 42606,” it sold
to the Internet for $3960.