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30-B Maine Antique Digest, March 2015

- AUCTION -

Mebane Antique Auction Gallery, Mebane, North Carolina

Picker of the Year at Mebane

by Pete Prunkl

Photos courtesy Mebane

I

n 2013, at his annual Americana

and Continental sale, auctioneer

Jon Lambert tried something new.

He provided registered bidders with

a catalog containing lot numbers,

descriptions, and condition reports.

In the years leading up to this change,

Lambert had distributed an itiner-

ary noting when large categories of

unnumbered lots would be sold. The

catalog was a vast improvement. For

his December 2014 sale, Lambert

tweaked the catalog again. Now there

are two distinct options: robust and

skinny.

The robust ver-

sion with complete

descriptions,

con-

signor information,

and lot numbers has

now moved on line,

and anyone with a

smartphone or iPad

could easily follow

the sale. Unfortu-

nately only six patrons out of 120

at the December 5, 2014, sale were

looking at their screens. The rest

had to rely on a free but skinny sin-

gle-spaced list of items by lot number.

Lambert made other alterations

in the conduct of his sales. New for

2014 were Internet bidding, a quieter

auction setting, and the elimination of

the requirement that absentee bidders

visit the Mebane, North Carolina, gal-

lery in person.

To his credit, Lambert has resisted

one other nod to auction modernity. In

an era when more and more lots are

encumbered with inflated consign-

or-imposed reserves, at Mebane there

are no reserves; nothing is passed.

For those with the catalog list,

Lambert filled the information gap

by describing many lots in detail

from the podium. The result was an

11-plus-hour sale for 550 lots. Long-

winded explanations and exorbitant

initial asking prices tried the patience

of some seasoned veterans who other-

wise love Lambert’s energetic, excit-

ing, and endlessly surprising sales.

Regulars who hung with him until

the ninth hour found the sale’s big-

gest surprise. Two weeks before the

sale, staff member Donald Whitfield

went on a very successful picking

expedition in the hamlets of western

Orange County, North Carolina. The

American Pickers must have missed

the house where a circa 1820 walnut

inlaid corner cupboard was gathering

dust. Brass hardware, locks, glass, and

dust all appeared to be original. Bid-

ding opened at $1000 with phone and

on-site bidders participating. Mebane

regular John Barr of Sanford, North

Carolina, bought the cupboard for

$4070 (includes buyer’s premium).

Jon Lambert could not resist telling

the story of the pick and introduced

Whitfield as “the Picker of the Year.”

Donald Whitfield found a sec-

ond treasure at the same residence:

a 93¼" high 12-pane walnut country

cupboard possibly from the Brower

school of Chatham County, North

Carolina. John Barr purchased that,

too, for $1045.

The sale’s top lot debuted an hour

earlier: a 2.09-carat diamond in an

18k gold and platinum setting. It sold

to a happy bidder in the second row

for $12,650. (The appraised value was

$32,000.)

Two other jewelry lots made the

sale’s top ten: a wedding set with

interlocking diamond engagement

and wedding rings, and a Cartier love

bracelet. Twelve round cut diamonds

in the wedding ring flanked the one-

carat center engagement diamond.

An absentee bidder claimed the set

for $3850. Cartier produced the love

bracelet in the 1970s as a flat band

studded with screws that locks to

the wrist. In its original red leather

case with the essential screwdriver,

the bracelet went to the Internet for

$3740.

Five fresh-to-the-market framed

prints by Currier & Ives of steam

locomotives stirred interest across all

bidding venues. Of the five,

Amer-

ican Express Train

was the oldest

(1864), largest (20½" x 29"), and the

most dramatic. At $5500, it was also

the priciest.

Prairie

Fires of the Great West

(1871, $1760),

The

Express Train

(1870,

$1100),

American

Railroad Scene: Snow-

bound

(1871, $1100)

and

The Great West

(1870, $880) trailed

behind.

A 7¾" high script-signed Loetz

vase also attracted a lot of attention. It

opened at $1800 with absentee, Inter-

net, and on-site bidders in the race.

Glass collector David Whitlock threw

in the towel at $3400. A phone bidder

prevailed at $7040.

One painting, an oil on canvas by

Václav Brozik (Czech, 1851-1901),

made it to the top ten. For on-site

bidder Nathan Sapp the chase for the

portrait of a young girl was start, stop,

start, and stop. When he hesitated, an

Internet bidder responded with light-

ning speed. The Internet took it at

$6710.

Not to be outdone, Sapp returned

later in the sale to purchase three

paintings signed “Helen Maas/ New

Orleans.” The subject matter and

style of the Maas paintings were rem-

iniscent of those of prolific southern

painter William Aiken Walker (1838-

1921). If the Helen Sophie Koehne

Maas (1873-1922) listed on AskArt is

“Helen Maas/ New Orleans,” she and

Walker were contemporaries. Sapp

may have bet on a connection when

he paid $2640 for a Maas painting

of an African-American man, $1485

for

Uncle Piastus, New Orleans

, and

$1595 for a southern landscape with

barn.

The sale’s best sterling silver was

a stunning example of Victorian ele-

gance. The service for 12 by Whiting

Manufacturing of New York in the

Louis XV pattern was housed in a fit-

ted bird’s-eye maple case with white

silk interior. A plaque on the lid was

marked “CAN/ June 26, 1895.” A

phone bidder captured it for $2750.

Two elegant machines rounded out

the sale’s top ten. A lighted and work-

ing circa 1915 Wurlitzer coin-oper-

ated nickelodeon in a tiger oak cabinet

with leaded stained-glass windows

would feel right at home in many

American man caves. It opened at

$2000, and after challenges from the

floor, it sold to the Internet for $3960.

A monumental European eight-day

time-and-strike bracket clock was

covered with carved leaves, feath-

ers, scrolls, rosettes, faces, roaring

lions, male and female figures, and

a dragon head. A matching shelf was

equally well carved. On the clock face

were three dials used to regulate the

chimes. It sold to an absentee bidder

for $2970.

For more information on Mebane

Antique Auction Gallery, visit the

Web site

(www.mebaneauction.com

)

or call (919) 563-2424.

Regulars who

hung with him

until the ninth

hour found the

sale’s biggest

surprise.

There is a tear in this 18" x 12¾" oil on canvas

profile portrait of a young girl by Czech artist

Václav Brozik (1851-1901). The painting opened

at $500, a long way fromwhere it stopped—$6710.

This circa 1870 hair wreath in a 16" x 10"

walnut shadow box frame came from a

collection of 14 mourning wreaths, lock-

ets, and jewelry. Five mourning lots,

including this example, were purchased

by Betty Clark, a dealer from Smithfield,

Virginia. Clark paid $385 for the wreath,

which has a hummingbird in its design.

Another circa 1870 wreath (not shown)

was opened at $600 by an Internet bidder

but received no advances.

An Internet search of Weller

umbrella stands found only

one other example in Baldin

Apple. The 22½" x 11" stand

sold to an Internet bidder for

$319. Dealer Betty Clark was

an underbidder.

There was a fair amount of foxing to this Currier & Ives litho-

graph titled

American Express Train.

The 20½" x 29" print was

dated 1864 and sold to an absentee bidder for $5500.

The Edgar Allen Poe (1858-

1934) who made this jug was

not the “Nevermore” Poe. This

gentleman hailed from Fayette-

ville, North Carolina, and Rob

Pearce from Natural Connec-

tions Antiques, Knoxville, Ten-

nessee, bought the 11¾" high

salt-glazed jug for $825.

Kids who watch Nickelodeon, the cable television net-

work, may never have seen the real deal. Lambert

plugged in this 53" x 36" x 18¼" Wurlitzer nickel-

odeon and played it during its time on the auction block.

Powered by a Westinghouse motor and marked “The

Rudolph Wurlitzer Co., Cincinnati, O No. 42606,” it sold

to the Internet for $3960.