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32-B Maine Antique Digest, May 2015

- SHOW -

T

he Original 164th Semi-Annual

York Antiques Show & Sale at

the York Fairgrounds Convention

& Expo Center, Memorial Hall East,

in York, Pennsylvania, held January

30 through February 1, attracted a big

crowd. People with cabin fever needed

to get out of the house, and dealers from

the North were glad to escape the snow.

A few dealers said they had to shovel

out before loading their vans, and they

arrived on Thursday, too late for the two-

day dealer buying at setup but in time to

set up for those in line to get in at 10 a.m.

on Friday.

Melvin Arion holds this three-day

winter show on the last weekend in

January and his fall show on the last

weekend in September (moved last year

from Labor Day weekend at the dealers’

request). Bob Bockius, Charles Whitney,

and Dave Strickler of Mitchell Displays,

who supply the showcases for Ari-

on’s show and many others, put on the

Greater York Antiques Show, two-day

events scheduled for May 1 and 2 and

October 30 and 31, with Bockius as the

frontman for show management. Many

dealers do all four shows, and many

shoppers never miss any of them.

Dealers said they were amazed at the

large crowds on Friday and Saturday,

January 30 and 31, and when the Super

Bowl Sunday crowd was sparse, many

asked, “Why a three-day show?” Then

from 3 o’clock in the afternoon until

closing time, there was a flurry of sales.

“I bet $150,000 was spent in the last

hour of the show,” said Delaware dealer

James Kilvington. Maine dealer James

Glazer, exhibiting at this show for the

first time in a long time, sold a tall-case

clock, the dial signed by John Fisher in

York Town, York County, Pennsylvania,

and a tall hoop-back Windsor chair made

in Lancaster, Pennsylvania, that he had

bought at Pook & Pook some years ago.

Local people came late in the show

and then rushed home to watch the Super

Bowl while dealers packed up to get out

before the next blizzard, which did not

hit the region until early the next morn-

ing and then turned to rain before a deep

freeze. It is not easy trucking antiques

around the country in winter, and a

number of those driving their vans from

Ohio, Alabama, Kentucky, or Pennsyl-

vania are women who go it alone!

This show was worth it. Business was

good, and some said it was the best it

has been in three years. Brown furniture

sold, as did some painted furniture and

many small items.

At this show, shoppers could com-

pare three 18th-century Pennsylvania

schranks: a small one from downtown

Philadelphia on Kilvington’s stand

($48,000), one made in the Bach-

man shop in Strasburg, Pennsylvania,

in Philip Bradley’s booth ($50,000),

and one from southeastern Pennsyl-

vania, dated 1785 and offered by John

Chaski ($17,500). Plus there were three

impressive tall chests: one from Berks

County, Pennsylvania, with leafy inlay

on the central drawers and line inlay

on the other drawers (Philip Bradley,

$14,500)—it comes apart, so it is in fact

a chest-on-chest; a rare small tall chest

from Maryland with three over two over

four drawers (James Price, $6250); and

a big, bold one from Chester County,

Pennsylvania, with three over two over

four drawers (David Horst, $8500).

There were many tall-case clocks;

Price sold four, Bradley sold one, and

Glazer sold another. There were plenty

of painted chests from Pennsylvania and

New England, and more than a dozen

graphic hooked rugs. There were plenty

of quilts, and more than a dozen of them

sold. Some fraktur sold, perhaps because

of the exhibition and catalog for

Drawn

with Spirit

,

celebrating the promised

gift to the Philadelphia Museum of Art

of over 230 fraktur from the collection

of Joan and Victor Johnson. The exhibit

opened with a party at the museum on

January 30, and the illustrated catalog

by Lisa Minardi with the latest research

should give the field a real boost. Her

husband, Philip Bradley, brought ten

copies of the catalog to the show and

sold them all ($65 each); more are avail-

able at the museum and online.

The show also had a selection of

appealing rag dolls, some special sew-

ing balls, three rare hatboxes, and a

selection of woodenware, some of it

painted. There was very

rare redware; historical

Staffordshire china; ear-

lier pearlware, cream-

ware, and salt-glazed pot-

tery; and some Chinese

export porcelain, but not

as broad a selection of

ceramics as usual. There

was an early velocipede,

a painted wood tricycle,

and a doll’s surrey with

fringe on top. Holiday

decorations find buyers all year long.

Three items could have won a prize for

good design in any period. One was an

18th-century wrought-iron bird or fish

roaster, priced at $950 by Colette Don-

ovan. Simple and well-proportioned, it

turned with a flick of the wrist, and it sold.

Another was a Shaker-style staved keeler

for washing buttermilk from butter; John

Rogers priced it at $2500. The third, an

18th-century oak sieve, put together with

large rosehead nails and used for sifting

wood ashes to make soap, was $495 from

Cheryl Mackley.

There was an unpleasant moment

at the show on the crowded Saturday

afternoon. A group of five professional

thieves sneaked in without paying,

walked into James Kilvington’s booth,

popped the lock on a vitrine, and went

off with some jewelry. Dale Hunt ran

after them, and the police stopped two

of them, but since they did not have the

jewels, they were released. The others

got away. Their license plate number

was taken, and the type of car noted, but

they were not apprehended.

“It was a professional job,” said Kil-

vington. “Two of them distracted me,

and the other three went to work. I think

they got three pieces. I have to check my

inventory to see the value.”

The pictures and captions show just

a fraction of what was there and some

of what sold. Most dealers said they

sold well, some said they did just OK,

but most left happy, and a good number

plan to come to the York Fairgrounds for

shows four times a year—in January and

September for Butch Arion’s and in May

and October for Bob Bockius’s. York

has been a crossroads for antiquing for

generations.

For more information, call (302) 875-

5326; website (www.theoriginalyorkan tiquesshow.com).

York, Pennsylvania

The Original Semi-Annual York

Antiques Show & Sale

by Lita Solis-Cohen

Brown furniture

sold, as did some

painted furniture

and many small

items.

Rare large-size Bucher box painted with tulips

and a pot of flowers, late 18th/early 19th cen-

tury, $18,500 from Greg Kramer of Robesonia,

Pennsylvania. “There’s the Scott [Bucher] box

and the Shelley box and this one,” said Kramer.

There’s also one with a figure painted on the

top, currently on view at the Philadelphia

Museum of Art in

Drawn with Spirit: Pennsyl-

vania German Fraktur

from the Joan and Victor

Johnson Collection

.

Found in Adams County, Pennsylvania, this

exceptional redware pottery teapot with

raised and molded relief decoration of birds

in heart-shaped nests, a chain link spout,

coggled rim, and black manganese glaze,

signed William Baker twice, was $27,500

from Greg Kramer.

Steven Still of Man-

heim,

Pennsylvania,

asked $16,000 for this

26" x 50" Pennsylvania

German painted dower

chest from Berks or

Bucks County, made

for Barbara Erthmen

and dated 1802. There is

some restoration to the

feet, and the brasses are

replaced. The painted

box on top is an Odd

Fellows box, priced

at $1450, and the two

canes, one an Odd Fel-

lows cane with the name

of the member and

the other carved, were

priced at $400 each.

Michael Whittemore of

Punta Gorda, Florida,

asked $4800 for this 1907

model of the steamship

Florida

.

David Horst of Lebanon, Pennsylvania,

asked $8500 for this Chester County, Penn-

sylvania, tall chest; he said he bought it

online at a New England auction. The 1890s

carved wood American eagle in gold paint

was $2950.

February is Presidents’Day

month, so Thomas Brown

of McMurray, Pennsyl-

vania, offered two plaster

busts of George Washing-

ton. The one that looks like

white marble, made in 1932

for the centennial of Wash-

ington’s birth, was $1200.

The one in black paint,

made in the late 19th cen-

tury, was $1800.